In other words, the time-stretch image is easily affected by aliasing if sampled at a lower rate. the effective spatial pixel size, is the limiting factor of the spatial resolution in time-stretch imaging, especially in the regime of high analog bandwidth (beyond 1 GHz). As a consequence, it is common that the sampling rate of the digitizer, i.e. This technical constraint of GVD explains that the overall space-to-time conversion achieved in time-stretch imaging is generally limited to few tens of picoseconds (or less) per resolvable image point. Even worse, achieving high GVD-to-loss ratio becomes increasingly difficult as the operation wavelengths move from the telecommunication band to the shorter-wavelength window, which is favourable for biomedical applications, not to mention the benefit of higher diffraction-limited resolution at the shorter wavelengths. To combat against the nonlinear signal distortion and amplifier noise, it also necessitates careful designs of multiple and cascaded amplifiers that complicate the system architecture. Although optical amplification can mitigate the dispersive loss, progressively higher amplifier gain results in excessive amplifier noise, which in turn degrades the SNR. However, as governed by the Kramers-Kronig relations, high GVD comes at the expense of high optical attenuation that deteriorates the signal-to-noise ratio (SNR) of the images 8. To avoid using these state-of-the-art digitizers, which incur prohibitively high cost, the common strategy is to further stretch the spectrally-encoded waveform with an even higher GVD such that the encoded image can be resolved by the cost-effective, lower-bandwidth digitizers. Second, time-stretch imaging inevitably requires the electronic digitizer with an ultrahigh sampling rate (≥40 GSa/s) in order to resolve the time-stretched waveform. First, sufficiently high GVD in a dispersive medium (≈1 ns nm −1 at the wavelengths of 1–1.5 μm) is needed to ensure the time-stretched waveform to be the replica of the image-encoded spectrum. In order to guarantee high spatial resolution that is ultimately determined by the diffraction limit, two interrelated features have to be considered. This constraint stems from its image encoding principle that relies on real-time wavelength-to-time conversion of spectrally-encoded waveform, through group velocity dispersion (GVD), to capture image with a single-pixel photodetector. Nevertheless, a key challenge of time-stretch imaging limiting its widespread utility is that the spatial resolution is very often compromised at the ultrafast imaging rate. This combined feature makes it unique for ultrahigh-throughput monitoring and screening applications, ranging from barcode recognition and web-inspection in industrial manufacturing 6 to imaging cytometry in life sciences and clinical diagnosis 7. Among all techniques, optical time-stretch imaging not only can achieve an ultrafast imaging rate of MHz-GHz, but also allow continuous operation in real time. High-speed optical imaging with the temporal resolution reaching the nanosecond or even picosecond regime is a potent tool to unravel ultrafast dynamical processes studied in a wide range of disciplines 1, 2, 3, 4, 5. Upon integration with the high-throughput image processing technology, this pixel-SR time-stretch imaging technique represents a cost-effective and practical solution for large scale cell-based phenotypic screening in biomedical diagnosis and machine vision for quality control in manufacturing. Here, we present the experimental pixel-SR image reconstruction pipeline that restores high-resolution time-stretch images of microparticles and biological cells (phytoplankton) at a relaxed sampling rate (≈2–5 GSa/s)-more than four times lower than the originally required readout rate (20 GSa/s) - is thus effective for high-throughput label-free, morphology-based cellular classification down to single-cell precision. Precise pixel registration is thus accomplished without any active opto-mechanical subpixel-shift control or other additional hardware. It harnesses the subpixel shifts between image frames inherently introduced by asynchronous digital sampling of the continuous time-stretch imaging process. Here, we propose a pixel super-resolution (pixel-SR) technique tailored for time-stretch imaging that preserves pixel resolution at a relaxed sampling rate. Based on image encoding in a serial-temporal format, optical time-stretch imaging entails a stringent requirement of state-of-the-art fast data acquisition unit in order to preserve high image resolution at an ultrahigh frame rate - hampering the widespread utilities of such technology.
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This is my biggest feature request (with rewire close behind I think :-) ) because it is the only bottleneck in my workflow. These features would help us out tremendously, anyone else feels the same way? ProTools already imports the file, I understand some people might find it useful, give us the option at least?ģ) Automatic scan new items - not sure if there is an easy way to do this, but we go out and record new content all the time, bring them back in, edit them put them on the network and we have to rescan our entire library, which takes hours to do there needs to be an easier way to do this.Ĥ) (This ties in with the previous point) when we delete an item off the server the metadata search still finds these and thinks they are offline or something, we've tried rescanning the library but they still appear - and can't delete these manually either - threw audioFinder. What we'd like is to put those clips somewhere else locally, caché these and then dump them when audioFinder is closed. This is particularly annoying if you're working on a server and it creates clips on that server. As a game sound designer it's very useful to be able to quickly find sfx needed in my inventory, but I do have a few requests that I think will help out us sound designers a lot.ġ) Every time we make a selection in the "audio quick look" and want to drop it on the time line we have to press the "spot" button, any shortcut?Ģ) After making the selection and putting it on the timeline, I notice that audioFinder creates a "clip". I use audioFinder every day, it's helped me out tremendously with my workflow. I just wish this was iTunes' database simplicity + your Viewer I think it's the best out there right now with Snapper by Audioease being the next in line. I do really like the audio file viewer/player. Just one big library with all of my stuff indexed, that's what we want in the end right? To be able to jump into the app, go to the search box and type in "Bass line" and get an instant result, then flip through the results and get a playback. I should be able to just drag and drop a new folder from finder on the Main Library and have it import all of the meta data into a new sub-library or directly into the main-library. When you click on the Main Library, it should search everything you have, all sub-libraries, if you pick a sub-library it should narrow the search to just the sub-library. The Main Library should be everything, dozens of sub-libraries: I mean, scan vs import, these differ how exactly? And why do I have to keep rebuilding my main library? I think you should take some cue's from how iTunes is structured, it's simple and it works. Even after reading the manual and attempting a dozen different times to get everything set up I still find myself struggling to get a natural workflow out of it. I think that the biggest area of weirdness is with the library. I really want to use AudioFinder but I find that the overall usability to be awkward and frankly kind of old-school. Humans have long been enchanted by seashells and regarded them variously as symbols of purity, fertility, and prestige. Nine out of ten shells coil to the right, and the rare left coilers have trouble mating because the rest of their anatomy also skews to the wrong side. Scales cites numerous studies that explain the myriad shapes and patterns of seashells, beginning with the observations of the 19th-century mathematician Reverend Henry Mosley, who noted that shells form logarithmic spirals. Shells are mainly calcium carbonate laid over a scaffold of protein they grow in spurts throughout the mollusks’ lives. But the majority of mollusks-from coiled nautiluses to hinged bivalves, from microscopic sea butterflies to mini-fridge-sized giant clams-are armored. Not all mollusks make shells: octopi, squid, and slugs are contentedly shell free. Scales takes the reader on a dizzying tour of mollusks past and present, beginning with a deep dive into their biology. Since their appearance 540 million years ago, mollusks have expanded from their marine origins into fresh water and onto land, and they’ve found their way into human culture the world over. “No matter where you are in the world, you will never be far from a mollusk,” writes Helen Scales in Spirals in Time, her eclectic homage to the phylum of creatures that makes seashells. These coastal souvenirs are so commonplace we may forget how little we know about the animals that once inhabited them. Octo| 500 words, about 2 minutes Share this articleĪnyone who has dipped a toe in the ocean has surely picked up a seashell from the beach. 148: 138–142.Cover image courtesy of Bloomsbury Publishing Book Review: Spirals in Time Helen Scales explores the secret life and curious afterlife of seashells. Hong (2019) Improving L-serine production in Escherichia coli via synthetic protein scaffold of SerB, SerC, and EamA. Hong (2013) Efficient gamma-aminobutyric acid bioconversion by employing synthetic complex between glutamate decarboxylase and glutamate/GABA antiporter in engineered Escherichia coli. Hong (2018) Efficient malic acid production in Escherichia coli using a synthetic scaffold protein complex. Davies (1988) Three-dimensional structure of the tryptophan synthase alpha 2 beta 2 multienzyme complex from Salmonella typhimurium. DeLisa (2008) Engineering the spatial organization of metabolic enzymes: mimicking nature’s synergy. Maranas (2001) Probing the performance limits of the Escherichia coli metabolic network subject to gene additions or deletions. Liu (2013) A serine hydroxy-methyltransferase from marine bacterium Shewanella algae: isolation, purification, characterization and l-serine production. Keasling (2009) Synthetic protein scaffolds provide modular control over metabolic flux. Nielsen (2016) Engineering of high yield production of L-serine in Escherichia coli. Tsuchiya (1990) Target of serine inhibition in Escherichia coli. Qi (2014) Construction of an L-serine producing Escherichia coli via metabolic engineering. Xu (2015) L-Serine overproduction with minimization of by-product synthesis by engineered Corynebacterium glutamicum. Eggeling (2005) Metabolic engineering of Corynebacterium glutamicum for L-serine production. Lu (2012) Construction of Escherichia coli strains producing L-serine from glucose. Nakae (2010) A 90-day feeding toxicity study of l-serine in male and female fischer 344 rats. Hirabayashi (2000) L-serine and glycine serve as major astroglia-derived trophic factors for cerebellar Purkinje neurons. These results suggest that the carbon flux was successfully directed to the L-serine secretion pathway without knocking out a competing pathway or adding expensive glycine.įuruya, S., T. By fermentation, 9.4 g/L of serine was produced at a yield of 0.34 mol/mol glucose. By the introduction of a synthetic protein scaffold without metabolic pathway engineering or addition of glycine, 1.8 g/L of L-serine was produced at pH7 and 37☌. Through this strategy, the L-serine production is more efficient than in competing pathways. A synthetic protein scaffold between SerB and EamA was introduced in this study to physically combine the two enzymes. A novel strategy is needed to overcome the L-serine degradation pathway and low L-serine tolerance of Escherichia coli for efficient L-serine production. L-serine microbial development is considered a difficult activity due to L-serine’s central role in cellular metabolism with 2 main degradation pathways. L-serine is a non-essential amino acid which has a wide range of applications and plays an important role as a building block for growing cells.
Your choice is saved for future meetings. In both cases, you can switch between the floating picture and the grid. If someone else joins or a presentation is added, your self-view is automatically added to the grid. If you’re in a meeting with one person, your self-view automatically shows as a floating picture next to the other participant. If you need to share your entire screen, move your presentation to a different monitor if possible. Tip: For better presentations and to avoid mirroring, you should share your content from a different tab (strongly recommended) or window than the meeting window. You can change slides or scroll through the document from the window you present. You can't interact with presentation content from the meeting window. Remove a presentation from a meeting when someone joins only to present.Unpin your presentation to view it as a tile so you can see additional participants. It has the secondary benefit of easily allowing users to file issues or submit translations.You can now simultaneously see other participants and what you present on-screen. Point to your presentation feed to: The intent of this repository is to allow easy auditing of the source code for my user script and extensions. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE. THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. License Legal VersionĬopyright Chris Gamble - All Rights Reserved Please note that I do not have a scanner and therefore can't sign physical documents. Your data can not be sold, as it does not exist. Your data can not be shared, as it does not exist. Your data can not be stored, as it does not exist. There is no detailed privacy policy as there is nothing to explain. This extension does not track any user data. There is nothing I can do about this, please do not try to use the script on Safari. Be the first to know what's happening with Google Workspace. Participate in product discussions, check out the Community Articles, and learn tips and tricks that will make your work and life easier. Safari does NOT work! Safari does not respect the Content-Security-Policy spec in regards to extensions, so Tampermonkey can not inject scripts into Google Meets ( citation). In the Google Cloud Community, connect with Googlers and other Google Workspace admins like yourself.Please file an issue with your browser & userscript extension if you encounter issues. They are not explicitly tested, but probably work. All these extensions have been tested and verified working on Chrome & Firefox. TamperMonkey, GreaseMonkey, and ViolentMonkey supported.Every update is tested on both Chrome and Firefox before release. Includes a variety of options to enhance your meeting: include your own video, highlight who is speaking, and hide participants without video! Official Releases This extension forcibly loads every participant's video when grid view is enabled and may cause performance issues in extremely large meetings. Grid view gives every participant an equal sized video for use in meetings without a primary speaker (such as working from home silent meetings). This extension adds a button to the top right bar (next to chat & participant list) to enable grid-view in Google Meets. Log into Only Indian Porn Video Tube where every sexual experience you have is nothing but magical. The Photocopy Her Tits videos are of good quality and have been produced by the best experts who only give the best of their talents. 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Easily record and edit music, voice and other audio recordings. It is perfect for any audio project in the sound studio or at home. the app Audio & Music Editor is an audio recording and editing app for Mac OSX. OR Goto Start menu » "All apps".ĭiscovering the right Music app for your needs is hard, which is why we are happy to give you WavePad Audio Editor from NCH Software.
When you have successfully installed Toon Boom Studio onto your personal computer, make sure you are connected to the internet when it starts up to make sure it runs properly. Toon Boom Animate - Este software Toon Boom está dirigido a profesionales de la animación, estudios boutique, estudiantes y educadores. Please contact your internet service provider for more information. Toon Boom Studio - Este software Toon Boom está destinado a los usuarios domésticos y las personas, más que estudios profesionales de animación. You must be connected to a high speed internet service provider before installation can begin. Toon Boom Studio requires an internet connection for activation. If you have problems with your system's processing speed, here are the technical specifications for the other requirements of Toon Boom Studio. Please make sure that your Windows XP or Vista system requirements meet the requirements of Toon Boom Studio when you run this program. Windows Vista requires an Intel processor. At the bottom of this list, click the link for Toon Boom Studio. You will see a list of programs along with the ones that you have installed on your computer. Select All Programs and then click the appropriate tile. To use, do either of the following: Windows XP or Vista: Click the Start button at the bottom left corner of your desktop. Drawings are represented in vector form, and can be exported to SWF or SVG (with a plugin). Toon Boom Studio comes with two components - a digital animation program, and a set of "toon" files that you can use in conjunction with the software. Traditional frame-by-frame animation suite. With this powerful animation tool you can bring to life characters from your favorite animated films and TV shows, in three dimensional "toon" format. For a tiny fee the Toon Boom Studio will create hours of fun cartoon entertainment for your children, in the comfort of your own home. Copying artwork with your bone structure intact directly from one Animate project file to another isn't possible with a simple cut and paste. Toon Boom Studio is a new software for kids who love animations but don't have time to watch full-length cartoons on TV. They recorded albums all of which became top-selling albums.Ĭecilio and Kapono’s music catalog include: Lifetime Party Vol. Thus, “Cecilio & Kapono” was born.Ĭecilio and Kapono became one of the top duos to come out of Hawaii and soon signed a multiple multi-awarded album deal with Columbia Records. The two thought they could form a group because all the components were there: breathing, intonation, blending, and their own individual guitar styles, each one complementing the other in a harmonious way. While on a break from a tour of the “Little Anthony and the Imperials,” Cecilio flew to Hawaii to meet Kapono whom he found had a similar style of music with his own. The duo said their lifelong story began under a starry night on Oahu ’s North Shore in February 1973. He said he was very young when he last saw the two. The crowd went wild when the tandem sang their famous numbers, such as I Am the Other Man.ĬNMI Arts Council director Robert Hunter said he was so excited to see the tandem return to the island after 20 years and that the concert brought back a lot of memories for him. Kapono said he was very impressed with the cooperation of the audience.Ĭouples and friends graced the dance floor to dance to the duo’s upbeat tunes. The crowd stood up on their seat and sang the song at the top of their lungs. Kapono led the number where he divided the audience to sing some parts of a Messina and Loggins original Danny’s Song. The duo did their usual interactive numbers where they asked the crowd to sing and dance with them. And after 30 years of playing together, the duo sure knew what to do to totally rock the crowd. The lyrics can frequently be found in the comments below or by filtering for lyric videos.At least a thousand fans packed the hall, bringing their friends and loved ones to witness the duo’s comeback concert on Saipan after two decades of absence. Las Bodas de Oro Me despertado a las 8 y muy lento y perezoso… We have lyrics for these tracks by Cecilio:Įl niño y los pajaritos Divino Antonio precioso, suplícale al Dios inmenso You And Me Meet me tonight, under the moonlight Sunshine Love Knowing each other, meeting the other Sunflower If this world were a flower garden Summer Lady Summer lady you′re a breath of fresh air Song For Someone I′m trying to concentrate on something Santa Claus Is Coming To Town I just came back from a lovely trip along the… Sailin' He was captain of a small ship, and he called… Lovin' In Your Eyes It′s the way that we've been talking Highway In The Sun Have you ever seen the yellow mustard mountain Gotta Get Away Gotta get away for a while to ease my head Goodtimes Together It's been a good time together Goodnight And Goodmorning Funny how the times can change as fast as we… We have lyrics for these tracks by Cecilio & Kapono:Ībout You I know everything I have to know about youīanana Road Easy living everybody happy to be giving We have lyrics for 'Don't You Babe' by these artists:Ĭecilio and Kapono Drink from the cup of love so sweetly They frequently reunite for annual concerts in Hawaii and play to packed houses all over the world. Today Cecilio & Kapono are also successful solo artists in the Hawaii & World music markets. Their popular hits include the songs "Friends," "Sunflower," "Sunshine Love," "About You," and "Sailing" which still get local Hawaii airplay more than 30 years after their release. They are well known for the three albums they recorded for Columbia Records between 19. Read Full Bio Cecilio & Kapono have been one of Hawaii's most popular music duos since their formation in the early 1970s. Cecilio & Kapono have been one of Hawaii's most popular music duos since their formation in the early 1970s. If Mac is lost o stolen your private files remain protected. It uses AES 128 or 256 bit encryption standard (you may use the same via Disk Utility ) There is no way to see encrypted files without MacFort app. You may find more info on developer’s website: Įncrypts and protects with password files, folders, applications and their associated files. In order to decrypt this file you should do almost the same. Create a password and click “Encrypt My Files”. Drag and drop the files you want to encrypt or protect with password to the application window. This tiny app allows user to protect and encrypt any type of files. I have tested some of them on random basis. There is also vast choice of third party encryption tools on the market. Your files inside this disk image are protected. Next time you open this image double click on it. This is probably the only drawback of this encryption option. In case you forget it you loose the access to all encrypted files inside the folder. Note: Save this password somewhere or write it down. Type the name for encrypted disk image(in my case I call it “Encrypted disk image”) and select 128 or 256-bit encryption option. Select the folder you want to encrypt(in my case it is thunderzzz secret folder ) or create the new folder and add data containing confidential info there. Choose “New ” and select “Image from folder”ģ. Once you’ll open Disk Utility click on “File” menu at the top. In utilities folder look for Disk Utility icon (you can also press command + shift+ U and open Disk Utility in utilities folder).Ģ. Choose Utilities from the drop down menu. In order to do this just click on Finder icon and select Go menu at the top. If user does not want to ecrypt the entire disk and enable filevault protection he/she may encrypt certain folder on the hard drive.ġ. Fortunately, Mac users have lot of possible encryption options nowadays (built in Mac OS tools and 3rd party encryption apps as well).īuilt Mac OS Disk Utility tool allows to protect your private files and create encrypted folder disk image. Private data needs to be protected and secured to prevent unwanted access and identity theft. I will NEVER own a Kia again.Lots of users save confidential information on their Macs. I ended up trading it in before I had to pay for a new trans. Wonder if the rest of my air bags will work in a collision.?*Update* On top of the air bag issue, I also started having transmission issues at about 84k miles. In the mean time a little internet research reveals several, several stories of people who did not have an air bag light on and where in roll over or other serious collisions and NO air bags deployed. Seriously? Anyways, I will get my money out of them. One of the reps tried telling me this isn't a safety issue. When I question how the heck an air bag needs to be replaced with out being in an accident or tampered with Dealer says, "It just happens, the air bag is defective." Well I wasn't going to drive around in a vehicle who's driver side air bag was not functioning. Took it in and bottom line I had to have an entire new driver side air bag and assembly replaced. Vehicle was not involved in any sort of accident. I read several reviews on here before I purchased it and am disappointed none where about the air bags. Which is why I am sickened about the safety issue I have learned about with Kia's air bags. |
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